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Post by dok on Feb 27, 2021 12:33:51 GMT -6
Alright! I've been going round and round with these two preamps and the differences are so slight (to me) that it seems to be coming down to other features that the pres have (which I won't yet reveal here). But maybe my ears just aren't good enough, and if that's the case it REALLY doesn't matter. The two most important things I'm looking for are depth and transparency - if there was one other element it would be which has the most pleasing vocal transients/is less sibilant. One pre might be a little noisier than the other as far as I can tell. These were recorded with a pair of SDCs and no processing other than digital gain matching a few tenths of a dB. Guitar is a Martin CEO-7.
Pre 1 AcousticPre A AcousticPre 1 VocalPre A VocalI'll reveal which is which (and the SDCs used) when we get 20 votes. Neither of these are current flavors of the month and I think they're both pretty good values at the moment. I encourage any comments. Thank you!
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Post by tkaitkai on Feb 27, 2021 13:13:33 GMT -6
At first, I was tempted to pick Pre A, but the more I listen, the more I favor Pre 1. By a pretty wide margin, actually. I think Pre A sounds cleaner, clearer, and more polite. But Pre 1 has a really sweet coloration to it that I find pleasing. It sounds more like a record to me. I would honestly want to keep both. I could definitely see Pre A being useful where less character is needed. I'm not helping, I know.
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Post by superwack on Feb 27, 2021 14:23:59 GMT -6
I too favor Pre 1 on both sources by quite a bit... Pre A sounds a tiny bit flatter (cleaner) but has a slightly unpleasant thing that I really did not like
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Post by nick8801 on Feb 27, 2021 15:06:08 GMT -6
Pre 1 sounds more musical to my ears.
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Post by Chad on Feb 27, 2021 16:35:20 GMT -6
On my iPhone speaker, and only listening to the vocal track.... Pre 1 sounds more smoothed out, reminding me of what quality transformers do to a signal.
My pick is Pre 1.
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j4s0n
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Post by j4s0n on Feb 27, 2021 19:42:04 GMT -6
As they stand pre 1 sounds better, on vocals though I wonder if pre A could be eq’ed to sound better, but I’m not sure. There’s a muddy, nasally quality that’s subtle but there in pre 1, and I can’t tell if it’s just hidden more in pre a or just les prominent...
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Post by Martin John Butler on Feb 27, 2021 22:13:01 GMT -6
I think it's down to your personal taste. Pre A is more forward like an API. API's have some grit. Pre 1 is a bit smoother.
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Post by the other mark williams on Feb 28, 2021 0:34:10 GMT -6
Pre 1 for me all the way. By a good margin. Pre A sounded kind of oddly “hollow” to me, like there was some missing information in the mids.
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Post by srb on Feb 28, 2021 8:31:58 GMT -6
I prefer Pre A on both sources. I did listen to these on my phone, so not ideal, of course. I thought Pre 1, because of the perceived absence of lower-mids, relative to Pre A, sounded a but more 'pokey'. If this is to translate as 'transparency', I guess Pre 1 is the 'winner' (for me). I'll vote that way to hasten the reveal. 'A' feels like it has a transformer thing going on. That's a sound I'm naturally drawn to.
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Post by schmalzy on Feb 28, 2021 9:26:34 GMT -6
I could live with either but if I had to pick one for both of these sources I'd pick Pre 1.
I liked how it handled transients in comparison. For modern music production methods which can often leave transients too aggressive and pokey I felt like Pre 1 sounded more forgiving rather than truthful. If we're going preamp-to-converter then Pre 1 is my pick. If you plan to process with a lot of other outboard then maybe Pre A is the choice if you need really delicate and accurate details. I'm often not going for accurate anything so I'd still go with Pre 1.
Good luck with your decision and I'm excited to find out what everything is/was!
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Post by Guitar on Feb 28, 2021 9:32:14 GMT -6
Pre 1 sounds bigger, but it's kind of gritty. Pre A sounds more open and spacious, but smaller. Choose your poison I guess.
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Post by Ward on Mar 1, 2021 6:06:42 GMT -6
These are always difficult questions to answer when you do not know the microphone or anything else being used.
The interaction between microphone and preamp will effect the sound. An API might work great with a 414 (pre 1990) on an acoustic guitar but sound like skut when used with the same microphone on a vocal.
Preamp 1 is too fat or woofy on acoustic guitar Preamp A is a little light, but I would choose it. Preamp 1's weight works slightly better on the vocal. Preamp A is a little light now, for the vocal
But if I had only one to use? Probably A and just add some vocal weight in the lower mids centered at 300hz and combine with a hard HPF at 60hz. Thus giving it the bump that Preamp 1 has.
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Post by theshea on Mar 1, 2021 9:07:18 GMT -6
pre 1 sounds very full and maybe a tiny bit too much on the acoustic guitar. but overall i like the color of pre 1 more. pre A is a bit polite. both sound good. but the guitar sounds especially good. nice martin!
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Deleted
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Post by Deleted on Mar 1, 2021 15:10:00 GMT -6
1 is 3d A is 2d 1 everyday. EQ the guitar resonance on 1. Done.
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Post by javamad on Mar 1, 2021 17:42:18 GMT -6
My initial reaction was that for me, vibe was stronger with A ... but then of course you said transparent and deep .. and on that concept I think pre 1 wins by quite a margin.
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Post by svart on Mar 2, 2021 9:59:54 GMT -6
I like A more but either one would be fine since we're talking tiny little differences.
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Post by dok on Mar 2, 2021 11:12:47 GMT -6
Okay... 17 votes is close enough. I did not expect the results to be so lopsided. Must be my ears have a ways to go... or they're already destroyed by now. The mics are Oktava MK012 SDCs. Preamp A is the Phoenix DRS-Q4 MKII. Preamp 1 is the Langevin/Manley Dual Vocal Combo. I was leaning in this direction anyway if only because of the built-in ELOP limiter and shelving EQ, although the Phoenix has a more robust EQ section. The DVC has a little more noise to it and not a ton of gain compared to the Phoenix, but aside from the firmer low-mids, I found the Phoenix to also be slightly harsher in my sibilant frequencies. Build quality is superb on the Phoenix - it is a really nice piece of gear and I wish I could afford to keep both of them. The DVC was also the clear winner when compared directly with my Daking Mic Pre II based on the transparency and depth categories, again much to my surprise. Thanks all for the comments!
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Post by Mister Chase on Mar 2, 2021 12:21:57 GMT -6
I feel like the differences were tiny. Bummed that I picked the Langevin/Manley as I own 8 channels of DRS!!! Haha. I love those DRS pre's.
The EQ is decent on them, but really not my favorite. Much prefer my BT50.
The Phoenix stuff is very nice. Opulent. Has that sparkly tube-like top, but just like any character, it can be annoying in the right/wrong situation.
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Post by srb on Mar 2, 2021 22:06:16 GMT -6
Okay... 17 votes is close enough. I did not expect the results to be so lopsided. Must be my ears have a ways to go... or they're already destroyed by now. The mics are Oktava MK012 SDCs. Preamp A is the Phoenix DRS-Q4 MKII. Preamp 1 is the Langevin/Manley Dual Vocal Combo. I was leaning in this direction anyway if only because of the built-in ELOP limiter and shelving EQ, although the Phoenix has a more robust EQ section. The DVC has a little more noise to it and not a ton of gain compared to the Phoenix, but aside from the firmer low-mids, I found the Phoenix to also be slightly harsher in my sibilant frequencies. Build quality is superb on the Phoenix - it is a really nice piece of gear and I wish I could afford to keep both of them. The DVC was also the clear winner when compared directly with my Daking Mic Pre II based on the transparency and depth categories, again much to my surprise. Thanks all for the comments! I own the 8 channel DRS mkii (mostly used for location work) and the Ascent Two (in my control room racks). I picked A, I guess, because of its familiarity. I do like Phoenix stuff. I'm really fond of the Ascent Two. This was fun. So, it's the Manley for you?
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Post by theshea on Mar 3, 2021 3:21:06 GMT -6
Okay... 17 votes is close enough. I did not expect the results to be so lopsided. Must be my ears have a ways to go... or they're already destroyed by now. The mics are Oktava MK012 SDCs. Preamp A is the Phoenix DRS-Q4 MKII. Preamp 1 is the Langevin/Manley Dual Vocal Combo. I was leaning in this direction anyway if only because of the built-in ELOP limiter and shelving EQ, although the Phoenix has a more robust EQ section. The DVC has a little more noise to it and not a ton of gain compared to the Phoenix, but aside from the firmer low-mids, I found the Phoenix to also be slightly harsher in my sibilant frequencies. Build quality is superb on the Phoenix - it is a really nice piece of gear and I wish I could afford to keep both of them. The DVC was also the clear winner when compared directly with my Daking Mic Pre II based on the transparency and depth categories, again much to my surprise. Thanks all for the comments! Damn you! You got me interested in the Langevin DVC now! ;-)
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Post by dok on Mar 3, 2021 11:00:19 GMT -6
I own the 8 channel DRS mkii (mostly used for location work) and the Ascent Two (in my control room racks). I picked A, I guess, because of its familiarity. I do like Phoenix stuff. I'm really fond of the Ascent Two. This was fun. So, it's the Manley for you? Yes. I really like the Phoenix but all other things being equal the DVC has more useful features, namely the limiter. I don't do a ton of EQ sculpting on the way in so the shelving EQ on it is generally enough for me. I have other utility pres and can't justify more than one "nice" stereo pre. I certainly wouldn't be mad at being able to keep the Phoenix around.
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Post by plinker on Jan 31, 2023 17:40:16 GMT -6
Alright! I've been going round and round with these two preamps and the differences are so slight (to me) that it seems to be coming down to other features that the pres have (which I won't yet reveal here). But maybe my ears just aren't good enough, and if that's the case it REALLY doesn't matter. The two most important things I'm looking for are depth and transparency - if there was one other element it would be which has the most pleasing vocal transients/is less sibilant. One pre might be a little noisier than the other as far as I can tell. These were recorded with a pair of SDCs and no processing other than digital gain matching a few tenths of a dB. Guitar is a Martin CEO-7.
Pre 1 AcousticPre A AcousticPre 1 VocalPre A VocalI'll reveal which is which (and the SDCs used) when we get 20 votes. Neither of these are current flavors of the month and I think they're both pretty good values at the moment. I encourage any comments. Thank you! Hi -- I realize this a shot in the past, but do you remember how you were driving the Phoenix? It sound like you had the input low and the output high. ??
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Post by plinker on Jan 31, 2023 20:08:50 GMT -6
Follow-up: I mixed the vox and guitar together for each part, and it's really not an apples-to-apples comparison. I think you have the Phoenix (Pre A) over-driven (on the output) and it's bloating the lower mids and cutting the highs, as expected. So, the DVC (Pre 1) sounds much cleaner and better in comparison.
I really appreciate you posting this, so please don't take my comment as negative. The DRS is kind of picky and can bring-out a wide range of tones depending on how one balances the input and output. I apologize, in advance, if I've misinterpreted the test.
Thanks!
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Post by dok on Jan 31, 2023 20:45:08 GMT -6
Follow-up: I mixed the vox and guitar together for each part, and it's really not an apples-to-apples comparison. I think you have the Phoenix (Pre A) over-driven (on the output) and it's bloating the lower mids and cutting the highs, as expected. It really doesn't sound good, at all, for either the Pre A vox/acoustics parts . So, the DVC (Pre 1) sounds much better in comparison. I really appreciate you posting this, so please don't take my comment as negative. The DRS is kind of picky and can bring-out a wide range of tones depending on how one balances the input and output. I apologize, in advance, if I've misinterpreted the test. Thanks! Yes, you're exactly correct. That's what was happening - they were plugged into my old interface that had combo jacks, and I incorrectly assumed that the correct position for the gain knobs in that scenario was zero (trying to make sure that the interface inputs weren't further coloring the sound, but that was not the proper setting on that particular interface), which meant I was running the inputs hotter on both the DVC and Phoenix. Would surely like to do this test over cuz I don't have either unit anymore. :/ Thanks for your comments, though!
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Post by plinker on Jan 31, 2023 21:12:27 GMT -6
All good -- thanks for your response.
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