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Post by RicFoxx on Apr 19, 2014 9:10:16 GMT -6
How did you use it...with console or as a hardware insert in Cubase???
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Post by cowboycoalminer on Apr 19, 2014 9:28:10 GMT -6
I patched it straight into the Symphony channels on the bay and used it as a hardware insert. Still haven't racked it yet. Will today. It's found a home. I'm going to run it to it's own channels on the bay that way I can patch it in as hardware insert or I can patch it straight into the console and use it as an aux send there. My idea here is that I can print a vocal verb (or whatever) as an insert to the daw, then switch over to a nice room sound for each console channel in analog. Thus, the theoretical two units out of one sort of thing.
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Post by henge on Apr 19, 2014 10:38:04 GMT -6
Well that's quite a difference! I wonder if the LX480 is a fair comparison though. It's a cloudy thick sound while the Bricasti just sounds like air. I think the Exponential verbs would be a fairer comparison sonically. I wonder if they could get close because that Bricasti sounds fantastic. Killer mix btw!
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Post by Johnkenn on Apr 19, 2014 11:05:26 GMT -6
cowboycoalminer - run a short Vox or something through one or two of the presets. Then send me the original file and I'll run it through the Altiverb M7 impulses.
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Post by tonycamphd on Apr 19, 2014 13:05:38 GMT -6
Nice cowboy! sounds like you pulled the (yes another cliche 8) wool off the mix with the M7. Are they identical parameter settings in both verbs?
BTW, watch that rogue "S" at 1:03, it sounds like it pairs up with a string slide at the same time?
i know, i know, i'm the "s" police lol
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Post by RicFoxx on Apr 19, 2014 18:42:18 GMT -6
I bet cowboycoalminer has been going back and remixing old tracks with the Bricasti all day  Man that polished that track off! |
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Post by wiz on Apr 20, 2014 1:38:43 GMT -6
There is way more of a difference in the congestion of the center(isn) of the stereo image in those two than I would have thought.
The panning doesn't sound even remotely close.
Interesting.
Try this.
But keep it under your hat 8)
Create a 2 stereo Auxs.
Place Relab in both. Set one to Large Wooden Room, the other to Fat Plate.
Remember these are stereo auxs (relab is True Stereo for want of a better term)
now bus your panned single tracks, via a post Pan enabled send.
Eg Acoustic is panned 25L and Strat is panned 25R these both go to the same sends.. EG Send 1 is to Relab Room Send 2 is plate.
do this for all your tracks.
Once you have done this for all the tracks , then play with the MIX amount in both of the plug ins. To set the wetness of the instrument.
The Large wood room will give it the sense of being the ROOM the sounds are in, and the PLATE will give you the HEIGHT and DISTANCE from the roof and back wall kind of thing.
The key here, is the TRUE STEREO way that RELAB and other True Stereo reverbs process the info.
PS i just read this and it sounds confusing, sorry.
What I mean is , send your tracks not to the stereo bus, but to the ROOM and PLATE busses.
hope that makes more sense.
cheers
Wiz
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