Deleted
Deleted Member
Posts: 0
|
Post by Deleted on Jan 14, 2020 11:11:39 GMT -6
Same on the ATR. I had almost given up on it, but lately I've found a couple presets that I really like as a starting point, so I've been using it more. I usually dig it more if I mix into it, rather than adding it at the end.
|
|
|
Post by pahstah on Jan 14, 2020 11:29:48 GMT -6
My guess:
A) a complete system composed of a mixing interface (faders, preamp, line amp, auxes, plugins per channel), 1+ HDMI connection for LCD monitor, usb connection for SSD or HDD, maybe an usb for a pro tools dongle, a control room section for monitoring. so that you can track and mix in this interface or you can export your data to your favourite DAW.
imagine a cross between RADAR and an API the boxII but with a converter per channel built in and a monitor connection if you need to edit. no need for computer.
B) an ADAT 16 bit emulation
Paolo
|
|
|
Post by Johnkenn on Jan 14, 2020 11:32:04 GMT -6
My guess is a console summing emulation...Neve, UA, SSL, Trident.
|
|
Deleted
Deleted Member
Posts: 0
|
Post by Deleted on Jan 14, 2020 11:43:15 GMT -6
it's probably an emulation of the 4-track that's been sitting in your uncle's basement for 20 years.
|
|
|
Post by jdc on Jan 14, 2020 11:43:54 GMT -6
The video teasers point to a tapeless multitrack tape machine. My guess is they're aiming to become the new studio staple that tape used to be, selling no upkeep costs and expanded usability the digital age has brought.
SHARC chips out the wazoo and direct interoperability with Console and all major DAWS.
Satellites are strictly plugins (orbiting, tied solely to the planet of your DAW) Apollo's are interfaces (traveling between the worlds of your live room and your DAW) Luna is all of the above with a simplified multitrack DAW if you want to use it (acting as a space for exploration but not your end destination)
|
|
|
Post by javamad on Jan 14, 2020 11:47:22 GMT -6
video teaser has changed. Now its a console
We’re going round in circles ... like tape :-)
|
|
|
Post by kcatthedog on Jan 14, 2020 12:20:42 GMT -6
Not circles, that’s a new console and those are 8 group faders, I’d say 8 channel summing is clearly back on the table as are the unison pre or why did we see a 610, and the tape emulations as well ?
|
|
|
Post by jcoutu1 on Jan 14, 2020 12:22:34 GMT -6
My guess is unison tape emulations to capture the tape sound on the way in.
|
|
|
Post by mikec on Jan 14, 2020 12:36:04 GMT -6
Maybe it will be a way to use the UAD console similar to the way you can mix with the Metric Halo MIO Console, and then mix down to the stereo two track within the device. This could be something to move me away from my Apogee setup to a fully integrated UAD world. Hell, I already have two satellites and an OX, I would be up for a fully integrated system with control surface.
|
|
|
Post by Quint on Jan 14, 2020 13:23:37 GMT -6
Maybe it will be a way to use the UAD console similar to the way you can mix with the Metric Halo MIO Console, and then mix down to the stereo two track within the device. This could be something to move me away from my Apogee setup to a fully integrated UAD world. Hell, I already have two satellites and an OX, I would be up for a fully integrated system with control surface. Yeah, I kind of had similar thoughts. No reason you couldn't route channels back into Console to mix through.
|
|
|
Post by swurveman on Jan 14, 2020 13:25:35 GMT -6
Same on the ATR. I had almost given up on it, but lately I've found a couple presets that I really like as a starting point, so I've been using it more. I usually dig it more if I mix into it, rather than adding it at the end. This may be a stupid question, but how is UAD able to have live music go through their plugins first before going through their converters?
|
|
|
Post by ragan on Jan 14, 2020 13:53:45 GMT -6
Same on the ATR. I had almost given up on it, but lately I've found a couple presets that I really like as a starting point, so I've been using it more. I usually dig it more if I mix into it, rather than adding it at the end. This may be a stupid question, but how is UAD able to have live music go through their plugins first before going through their converters? They aren’t. No DSP until things are D.
|
|
|
Post by kcatthedog on Jan 14, 2020 13:58:29 GMT -6
Don’t you need liverack ?
|
|
|
Post by veggieryan on Jan 14, 2020 14:53:38 GMT -6
UAD Users group on facebook just dropped a huge hint...
|
|
|
Post by kcatthedog on Jan 14, 2020 14:58:45 GMT -6
You mean the mission control emblem?
|
|
|
Post by veggieryan on Jan 14, 2020 15:04:07 GMT -6
yes... "speed of light".... hmmm.
|
|
|
Post by guitfiddler on Jan 14, 2020 15:14:56 GMT -6
A desktop(WiFi/Bluetooth)controller flagship model X series converter with 8 analog channels, 8 preamps, 8 analog inserts on each channel, 8 faders, and the ability to combine analog outboard with digital plugins using console and DAW exclusively powered all by UA. Complete with 2 stereo hardware auxes, monitoring and cue section! This system will incorporate all UA interfaces into one system with complete control from tracking to mixing to mastering. Actually would like 4 auxes!
|
|
|
Post by ragan on Jan 14, 2020 15:20:29 GMT -6
Wait...I think I've got it. UAD DSP will now be handled by...an actual satellite. UAD has partnered with EchoStar and Raytheon to bring you remote DSP hosted on a geosynchronous satellite 36000 km above your head. No more annoying TB cables or bulky processing units cluttering up your desk. No more calculating latency in pesky milliseconds. Enjoy the clarity and warmth only radio waves can offer. Live free, live now, live LUNA.
|
|
Deleted
Deleted Member
Posts: 0
|
Post by Deleted on Jan 14, 2020 15:23:58 GMT -6
Same on the ATR. I had almost given up on it, but lately I've found a couple presets that I really like as a starting point, so I've been using it more. I usually dig it more if I mix into it, rather than adding it at the end. This may be a stupid question, but how is UAD able to have live music go through their plugins first before going through their converters? I mean it works better for me if I apply it to the mix buss before I start mixing, not after I've already spent a bunch of time mixing. I don't use it tracking at all. The only plugin I use when tracking (through the console app) is the EP-3 delay plugin and/or the EMT140 when a vocalist wants some echo in the headphones. I don't like the added variables of using the Unison stuff and I almost never track through the built in preamps on their interfaces (unless I absolutely have to).
|
|
|
Post by sirthought on Jan 14, 2020 15:25:47 GMT -6
|
|
|
Post by seawell on Jan 14, 2020 15:40:13 GMT -6
Recording system 🤔 This is the most fun I’ve had in the build up to NAMM in a while. Can’t wait to see what it ends up being.
|
|
|
Post by reddirt on Jan 14, 2020 15:40:18 GMT -6
Much bigger anticipation than kids at Xmas, nice work UAD . Interesting how of all companies, they are able to engender that hope of something really special. And no, forget tape - barely made anymore and so niche in application. Cheers, Ross
|
|
|
Post by Quint on Jan 14, 2020 15:42:51 GMT -6
yes... "speed of light".... hmmm. Speed of light?
|
|
|
Post by Quint on Jan 14, 2020 15:44:29 GMT -6
That's from the the UAD Facebook Users group?
|
|
|
Post by kcatthedog on Jan 14, 2020 15:48:37 GMT -6
Analog sound and the speed of light, so guess they hired a bunch of Latin scholars in marketing copy writing ?
|
|