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Post by Ward on Mar 26, 2024 18:13:54 GMT -6
Been rebuilding, upgrading and parts assembling various guitars the past few months . . . so I won't bore you with pickup neck pot pick guard and other details . . .
oh, picked up an old Beyerdrynamic M88. Anyone use one? I hear it's great on Oboe and Jaw-harp.
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Post by Ward on Mar 26, 2024 18:08:46 GMT -6
Looking for an opto compressor to track with, something that does not affect the tone much snip 1. CL1b 2. stam SA2a (original) 3. Audioscape OPTO - easily argued it affects tone to the good. 4. LA3a - stiffer in response, but also affects the tone by bringing forward the brash presence overtly or covertly in the material.
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Post by Ward on Mar 26, 2024 18:03:42 GMT -6
I'm still in on this deal, right? Of course! Good! My Beyerdunamics are included.
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Post by Ward on Mar 26, 2024 17:31:56 GMT -6
U87 is definitely on the short list. No doubt. Beyond that....um, maybe KM84? Not sure. Glad I don't have to really contemplate this subject. Most of my mic collection will not be sold until I'm 6 feet under..... Man I thought we were going to leave each other’s mics to who ever lived longer😁 I'm still in on this deal, right?
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Post by Ward on Mar 24, 2024 17:47:08 GMT -6
They are very different units.
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Post by Ward on Mar 24, 2024 17:40:41 GMT -6
It would be nice to be tricky and have a stereo mic at least. I honestly wouldn’t have any complaints using my Vanguard V44. I’ve done plenty of projects using mostly Vanguard stuff, so it wouldn’t be that much of a stretch. I’ve done enough mic review videos at this point where I’ve done a whole song using just one mic. It’s limiting in some ways, but it’s also made me realize it’s not as limiting as some people assume when we have these hypothetical discussion. I’m currently working on a new mic with Derek at Vanguard that’s probably going to end up being my “one” mic. I got to review his crazy stereo C24 clone, and we started talking about a mono version. Although it’s definitely going to be in the C12 ballpark and “inspired”, we spent last weekend doing a lot of modifications and trying some new stuff. Keep an eye out for that one in the next few weeks, there going to be a lot of video content coming out on the development. It’s crazy all the things that mic is going to be able to do… Everything from C12, to taming the top end from 251 all the way to ribbon territory, as well as controlling THD at the tube. It’s going to be a fun one! So glad this is coming together!
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Post by Ward on Mar 24, 2024 12:57:43 GMT -6
Simple rule of thumb: If it works for bass drum, it works for male vocal, especially baritone to bass. So if it works for Shakers, it works on female voices? I heard they tried it on The Spice Girls. But the AE got in trouble with a salt. Es possible . . . possible muy caliente
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Post by Ward on Mar 23, 2024 16:11:11 GMT -6
Gee I wonder which one Ward might pick. Out of those two? Gee, it's a tough call . . . but a slight edge to the 441. The 441 with its pristine audio quality takes the lead over the SM7b with its Lumbersexual hipster rugged good looks.
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Post by Ward on Mar 23, 2024 16:00:14 GMT -6
Yes I love my re16. It’s good on everything and is much higher fidelity than the current re20 and any ev635a. It sounds great on vocals, cabinets, and snares. Everything will be a bit woody but it would work. Yeah, I like the top end of the 11/16 way more than on the RE20 (of any vintage). The RE27 also has a better top end than the 20 to me, but it’s sort of at the edge of becoming a little harsh on some voices. It’s a good mic, though. It's my absolute favorite dynamic, with GREAT EQ switches on it, giving you 6 mic variations in one beautiful microphone.
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Post by Ward on Mar 23, 2024 15:59:13 GMT -6
Is this the same capsule as the LDC cap he made for Oktava 012s? Wondering how it compares. I have one and desperately want a second. Very U67ish. The caps rarely come up for sale but I see those hulks way more often Not sure, but yeah - those 012's with LDC head baskets are seriously underrated. and that's exactly how I'd describe them - a solid state U67. No tube goodness, but voiced the same. <<thumbsup>>. I need to use mine more.... I have one with the 'Red C12' head - which is from BLUE microphones (RIP) It's a great mic for female voices and mandolin family instruments.
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Post by Ward on Mar 23, 2024 15:56:16 GMT -6
[…] Actually the M88 and the M88-ish AKG D790, usually worked best on me, out of all sub-$500 Dynamics.[…] Interesting. Is it M88-ish for vocals only, or on bass drum / floor tom duty as well? Simple rule of thumb: If it works for bass drum, it works for male vocal, especially baritone to bass.
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Post by Ward on Mar 22, 2024 13:35:07 GMT -6
No problem using a pair of 76s in dual mono. Other types, not so much. ab101 ia spot-on about the D-Comp
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Post by Ward on Mar 22, 2024 13:32:09 GMT -6
Seranno S84 or Beyer M930 or Beyer 201, EV 320, Beyer M160 used, Beyer M88 used.
A binch of others come to mind . . . Noticeably not mentioned: SM7b.
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Post by Ward on Mar 19, 2024 19:26:47 GMT -6
You speak/type like an intelligent person. Maybe it’s Ai and a bot ? Hey watch it, fella, I resemble that remark. LOL
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Post by Ward on Mar 18, 2024 18:28:08 GMT -6
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Post by Ward on Mar 18, 2024 12:56:19 GMT -6
I'm not a smart guy or really know what I am doing.... I just fiddle with stuff until it sounds cool! Luckily, it at least appears like I know what I am doing to clients. You speak/type like an intelligent person.
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Post by Ward on Mar 18, 2024 12:52:16 GMT -6
I haven’t ever had the opportunity to use the passive VL37. I’m sure it sounds great though. There will be more Samar mics in my future, I’m pretty sure. That is what I have - the passive ones and they are stunning. Knowing Mark Fouxman - he is so meticulous - he will not release a mic that does not sound great. I have a pair of the passives as well, and yes, they are STUNNING! I'm curious if the much touted additional reach of the active version can be replicated using a cloud-lifter or other active booster with the passive version
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Post by Ward on Mar 18, 2024 8:43:41 GMT -6
Still experimenting with whether this is a good fit for my voice, but I love it so much on guitar and drums (and likely lots and lots of other sources) that I kept it. The VL37a has so much reach into the sound. Presents so much life and detail in this very pleasing way, with nothing sticking out. Have you (or anyone else reading and able to comment) compared a VL37 with a cloud lifter to a VL37a?
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Post by Ward on Mar 18, 2024 8:16:42 GMT -6
Avoid the honk? Sure, that's the core of the sax sound! LOL except Darren Rahn and Dave Koz, of course! There can be too much of a good thing! sounds like Rock'n'roll, baby! No success without excess. LOL
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Post by Ward on Mar 17, 2024 0:36:13 GMT -6
Easy... C414EB with brass capsule or Soyuz Bomblet. U67 is also good, but C414/Bomblet pointed towards the middle of the instrument is DONE. DW Fearn pre amp is also super saxxxxy for this application. Just avoid a U87AI whatever you do. HONK HONK HONK Avoid the honk? Sure, that's the core of the sax sound! LOL except Darren Rahn and Dave Koz, of course!
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Post by Ward on Mar 15, 2024 9:19:27 GMT -6
Speaking of AVID interfaces, and I will tag my brain cousin drbill on this, but I have found that the AVID HD I/Os sound slightly better with an external clock than using IO#1 as the internal clock for the whole shooting match. Just my findings, your mileage may vary!
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Post by Ward on Mar 15, 2024 5:56:42 GMT -6
Best I liked the way I sounded was when PBS put a U67 on me. Locally I bring my own Josephson C715 with me. I like it better, but in a different way so I bought one. I strive for purity rather than harmonics and color. On stage I bring my Beyerdynamic M201 TG that I keep stored in the bell of my horn. Astounding tenor saxophone sounds from that microphone. HMM!! Great suggestion. I can see a 201 being stellar on sax also! Love to know what microphone was used on the sax solo on Baker Street, and what was used on the Breakfast in America album by supertramp as well.
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Post by Ward on Mar 14, 2024 19:22:46 GMT -6
I've used a couple 1178s on the regular and I agree the Pulsar is a great plug and nails the vibe of the real thing. I love 1178s... they have an edge that earlier revisions of the 1176 don't that compliments room mics and fuzzy guitars. Trying running a guitar DI, pre turned way up into the first channel, with the compressor OFF, fed into the second channel (compressor on). Led Zeppelin IV guitar sound! First person yet who understands the 1178. Congrats. I'll be spilling the beans on some secrets in the near future.
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Post by Ward on Mar 14, 2024 19:21:24 GMT -6
Since I don't have a REDD mic like drsax, C414 b ULS. and some other 414s are great as well.
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Post by Ward on Mar 14, 2024 19:19:46 GMT -6
Indeed,. My choices. 1. EV RE27 2. EV RE20 3. EV RE320 4. Senn 421 5. Senn 441
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