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Post by Mister Chase on May 7, 2019 12:18:40 GMT -6
"I don’t use de-essers. Instead, I have a patch on the SSL. I mult the vocal to the channel next to it, on which I’ll roll out all mid-range and bottom and boost around 7k as far as it will go. I’ll then send the output of the fader into its own bus, and select a compressor on that channel to pick up on that bus, so basically it becomes a sort of loop in the channel. I put the compressor on fast attack and fast release, and link it to the original vocal channel, on which I turn on the dynamics. It works like a side-chain on the compressor and it has the effect of a fast high-frequency limiter, its threshold being controlled by the fader on the parallel channel. It’s really effective, very fast, and it de-esses very smoothly and much better than any other de-esser I have ever used. Plus you can automate the threshold. It uses a lot of buttons and knobs, but once you see how it works, it’s really simple and very effective."
Eh, I guess it's different, but it at least reminded me of this. I've never tried it.
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Post by Johnkenn on May 7, 2019 12:34:15 GMT -6
Holy crap, that Airwindows Deesser is the best I've ever used. If only I could figure out his website! Click on the word "Deess" above the article on his Deess page. Took me a minute too.
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Post by brucerothwell on May 8, 2019 8:39:10 GMT -6
Holy crap, that Airwindows Deesser is the best I've ever used. If only I could figure out his website! His website is more "blog" than anything. Just do a keyword search to find what you are interested in.
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