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Post by keymod on Jun 9, 2017 10:08:45 GMT -6
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Post by drsax on Jun 9, 2017 10:12:49 GMT -6
Looks interesting - based on TC 6000
SURROUNDED BY SOUND
24-channel reverb unit for cinema, broadcast and acoustic improvement
As both the entertainment and media industries are preparing for a future of high-res and immersive tech, there's a growing need for engineers to deliver quality content in extreme channel formats such as Dolby Atmos, Barco Auro and NHK Multi-Channel.
With the Reverb TwentyFour, our new 3D rack reverb, we're proud to take a quantum leap into that future!
Reverb TwentyFour - immersive 3D reverb!
At a glance:
19" rack unit with 24 channels of simultaneous reverb
Low degree of inter-channel correlation
Reverb engine from our triple TEC awarded System 6000
Super easy to control
Allows for flawless external downmix
Reverb TwentyFour will debut with full demo set-up at this year's InfoComm, June 14-16 in Orlando, Florida.
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ericn
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Post by ericn on Jun 9, 2017 12:30:21 GMT -6
That sounds really expensive!
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Post by jcoutu1 on Jun 9, 2017 12:57:06 GMT -6
Cue the "It must be crap because Uli Behringer owns them" comments...
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Post by michaelcleary on Jun 9, 2017 13:23:06 GMT -6
Cue the "It must be crap because Uli Behringer owns them" comments... Beat me to it... |
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Post by ChaseUTB on Jun 9, 2017 13:27:50 GMT -6
It must be crap because it's behringer ... only bricasti will do smh... 🤷♂️🤠
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Post by ChaseUTB on Jun 9, 2017 22:39:02 GMT -6
$50k easy 💰💰💰😂
I present to you the :
The 24 Channel Bricasti m24 Reverb System (sync 4 boxes for up to 96ch)
The Bricasti m24 Reverb System comprises 24 channel recallable by a Bricasti plug in rack with each instance opening into a mixer window. Each of the channels can be grouped or paired as well as 12 or 24 selectable spaces / rooms/ halls.. The 24 ch Bricasti mixer will have color coating and labeling and have user definable layout.
Each channel in the Bricasti mixer will have post fade mix knob as well as pan pots pre/post fade as well as what I call width. Width can take the stereo image and collapse it or expand. 100 being most spread and width, 0 default ( no width added ) and -100 collapsed ( mono, still pan capable )
Also on each channel of the Bricasti plugin mixer will have key input for side chaining or feeding reverb channel into another Reverb channel. Each channel will have RChannel included for complete mixing flexibility. Whether ducking the Reverbs during LD Vox or have another Reverb trigger another Reverb that's ducks another Reverb, the possibilities are endless.
Don't forget how this can work wonder for your synths or edm productions as well. Creative use of space for film sound design as well as audio for video..
Also we offer the film studios a 15% discount on the purchase of 4 linkable/ synced 24 ch Bricasti Box have up to 96 channels ( 4 dedicated units running synced ) as well as the Bricasti Mixer corresponding with each of the 96 channels.
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Post by rowmat on Jun 9, 2017 22:58:56 GMT -6
$50k easy 💰💰💰😂 I present to you the : The 24 Channel Bricasti m24 Reverb System (sync 4 boxes for up to 96ch) The Bricasti m24 Reverb System comprises 24 channel recallable by a Bricasti plug in rack with each instance opening into a mixer window. Each of the channels can be grouped or paired as well as 12 or 24 selectable spaces / rooms/ halls.. The 24 ch Bricasti mixer will have color coating and labeling and have user definable layout. Each channel in the Bricasti mixer will have post fade mix knob as well as pan pots pre/post fade as well as what I call width. Width can take the stereo image and collapse it or expand. 100 being most spread and width, 0 default ( no width added ) and -100 collapsed ( mono, still pan capable ) Also on each channel of the Bricasti plugin mixer will have key input for side chaining or feeding reverb channel into another Reverb channel. Each channel will have RChannel included for complete mixing flexibility. Whether ducking the Reverbs during LD Vox or have another Reverb trigger another Reverb that's ducks another Reverb, the possibilities are endless. Don't forget how this can work wonder for your synths or edm productions as well. Creative use of space for film sound design as well as audio for video.. Also we offer the film studios a 15% discount on the purchase of 4 linkable/ synced 24 ch Bricasti Box have up to 96 channels ( 4 dedicated units running synced ) as well as the Bricasti Mixer corresponding with each of the 96 channels. Great! I want to book it for 10 seconds of shaker. Can you give me a quote? |
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Post by ChaseUTB on Jun 10, 2017 10:22:20 GMT -6
rowmat DropBox your HQ shaker wav files for a free Bricasti 24m processing. Will provide 3 different passes for you 😭☺️
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Post by svart on Jun 13, 2017 6:33:58 GMT -6
$50k easy 💰💰💰😂 I present to you the : The 24 Channel Bricasti m24 Reverb System (sync 4 boxes for up to 96ch) The Bricasti m24 Reverb System comprises 24 channel recallable by a Bricasti plug in rack with each instance opening into a mixer window. Each of the channels can be grouped or paired as well as 12 or 24 selectable spaces / rooms/ halls.. The 24 ch Bricasti mixer will have color coating and labeling and have user definable layout. Each channel in the Bricasti mixer will have post fade mix knob as well as pan pots pre/post fade as well as what I call width. Width can take the stereo image and collapse it or expand. 100 being most spread and width, 0 default ( no width added ) and -100 collapsed ( mono, still pan capable ) Also on each channel of the Bricasti plugin mixer will have key input for side chaining or feeding reverb channel into another Reverb channel. Each channel will have RChannel included for complete mixing flexibility. Whether ducking the Reverbs during LD Vox or have another Reverb trigger another Reverb that's ducks another Reverb, the possibilities are endless. Don't forget how this can work wonder for your synths or edm productions as well. Creative use of space for film sound design as well as audio for video.. Also we offer the film studios a 15% discount on the purchase of 4 linkable/ synced 24 ch Bricasti Box have up to 96 channels ( 4 dedicated units running synced ) as well as the Bricasti Mixer corresponding with each of the 96 channels. Don't forget that it'll also need to be modded to have full potential because some dumb designer just didn't know how to do it right, so you guys better add that into your pricing as well. |
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Post by jimwilliams on Jun 13, 2017 9:30:01 GMT -6
Figures it's about time for the generational re-introduction of quad, surround, 5.1 or whatever they call it these days. It comes back about every 20 years like a locust.
Bricasti doesn't need any mods.
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Post by ChaseUTB on Jun 13, 2017 13:51:07 GMT -6
svartYeah I thought it was a dope idea or I wouldn't have typed it all out lol
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Post by mulmany on Jun 13, 2017 18:23:55 GMT -6
Figures it's about time for the generational re-introduction of quad, surround, 5.1 or whatever they call it these days. It comes back about every 20 years like a locust. Bricasti doesn't need any mods. I can bet that this is mainly aimed at the Dolby Atmos market. |
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ericn
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Post by ericn on Jun 13, 2017 18:46:20 GMT -6
Figures it's about time for the generational re-introduction of quad, surround, 5.1 or whatever they call it these days. It comes back about every 20 years like a locust. Bricasti doesn't need any mods. I can bet that this is mainly aimed at the Dolby Atmos market. I think the thinking at MG is TC is going to be their broadcast/ post Channel. |
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Post by jdc on Jun 15, 2017 9:54:54 GMT -6
so now i need 12 bricastis?
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Post by Deleted on Jun 15, 2017 11:45:50 GMT -6
I've been in the surround world for quite a few years, and I thought I might be able to add some useful comments here. First off, I'm sure this TC unit will sound quite nice. That's not the point of this comment. I know just what 24 channels of reverb can sound like. But it's also extremely unlikely that all 24 channels will be used. That's just not the way that the new 3D sound formats work.
The most popular 3D format (Atmos) actually only has 10 fixed channels. Those are configured as 7.1 plus two overhead channels (that run the length of the theater). All of the other channels are actually "objects", which may be actively steered to any virtual position--whether or not those positions have actual speakers. Atmos is a way of delivering a single audio master that can then be matched up to the number of channels in the theater. It's brilliant in that regard. We've actually got a 56-channel Atmos theater (one of the largest in the country) right here in Salt Lake and it sounds great. There's serious competition for those objects from the various disciplines in mixing. Some go to score, some go to foley and dialog and a lot go to effects. With my own surround reverbs, I've suggested that 4 objects be reserved for height reverbs (the four corners of the room) and mixers aren't always able to honor that if they've busted the object budget. But it's a really good bet that 24 objects won't be given to reverb tails. And considering that a couple dozen different reverbs might be used in a film (I'm not exaggerating), there's no way that anybody gets that channel count.
There's another format with a higher channel count of fixed-in-place channels. That's Auro3D and it gives you 7.1 channels at floor level and another 6 channels of overhead. It's used for some films but also for a number of music releases on Blue Ray. It's more possible that you might see 13 channels of reverb there, but that's not always the way people want to mix.
There is one format with 24 discrete in-place channels that I'm aware of. That's the 22.2 format from NHK in Japan. Reverb isn't useful in LFE channels, but you're still looking at 22 channels of reverb. The goal of this format is frontal resolution. Five front channels at the main level, three more above the screen and three below. Reverb coming from the front isn't all that useful--especially so many channels, so the sides and rears aren't much different from Atmos or Auro. NHK often has a demo set up at major trade shows, so it's worth giving a listen.
Simplified versions of these formats are available for some high-end receivers and pre-amps. The Atmos version uses upward-firing speakers to bounce the height channels off the ceiling. Discrete speakers are always better, but you might get in some trouble if you start making holes in the ceiling. Home audio is always subject to the "honey does that have to go there" rule.
I really do wish multichannel and 3D would catch on in the home, but it will be slow going for sure. Because of my development work, I'm able to hear all of these formats in my own room and I often make 3D mixes of the classical music I record, just for my own listening. You don't have to have stuff flying all over the place to hear how nice and spacious a recording can be.
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Post by mulmany on Jun 15, 2017 12:03:45 GMT -6
I am a home theater installer by day. We have been installing 7.2.4 Atmos systems for the past year. Once people experience it, they want it.
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Post by Guitar on Jun 15, 2017 18:33:34 GMT -6
so now i need 12 bricastis? X is how many bricastis you have, Y is how many bricastis you need. Y = X + 1 |
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ericn
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Post by ericn on Jun 15, 2017 21:22:06 GMT -6
so now i need 12 bricastis? X is how many bricastis you have, Y is how many bricastis you need. Y = X + 1 In the GS world Y is how many you need X is how many you have Z is how many you want Z=Yx(X+1) |
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